Works
Anthem sound installation in collaboration with Robert Hall (2016)
straße 03 : motorini (2016) for instruments and recording
Dialog mit dem Dialog (2016) for percussion duo
from Karl Schiske's Dialog for violoncello and piano: 1. Augmentation, 2. and 4. Instrumentation, 3. Elimination, 5. Reduction
Martial Attitudes (2016) for percussion solo or duo
a scrapbook of sounds and pieces on drums and war:
rolls and disturbances, marche funèbre, ww1, ww2, ww3, march/torso
Schwimmbad Klosterneuburg (2015)
for instruments, voices and recording
Grundrauschen 1-4 (2015/16)
Elektroheizung De Longhi, Die Welt rauscht, Tinnitus, Aquarium (Pumpe)
for double bass, flute, accordion, percussion
Beckmanngasse 1 + 2, Trintange (Baustellen), Pumpe 1 (2014/16)
for flute, accordion, double bass, percussion
play : out of the box (2014)
solo performance wooden boxes, metal scupltures and trash objects
out of the box (2014)
solo for wooden boxes
play : cornucopia (2013)
solo performance with metal objects
Passage (2013)
untitled, in finsteren Zeiten, unter einem kahlen Baum, my paradise, auf nach Texas,
black and yellow, Ceres, außergewöhnliche Belastungen, beißen nicht, abends im Schwimmbad,
then, bröckliger Untergrund, paysage intime, non c’è di che
for double bass and percussion, in collaboration with Stefan Scheib
Rotten Chapel (2013)
pssst, collateral stuff, zeit zum nachdenken, something yellow, deadlock #1,
deadlock #2, law and order, disillusion, dunno, eclipse
for toy piano and flanger, in collaboration with Tomás Tello
elisemilie (2012)
western spaghetti, gratte, n‘roll, cornemuse, nepeta cataria, culbuto, le mignon,
un trou de souris, tempete sous la coquille
for accordion and percussion, in collaboration with Emilie Skrijelj
Labor (2010-2012)
miracle merchants, closer to the sky, tar and feather, wat mutt dat mutt, otra tormenta, se fué,
katze was tust du?, imminente
for electronics and percussion, in collaboration with Tomás Tello
linien - lignes - lines (2011)
Performance and installation, book, video, cd (with Gérard Delesse, Ada Günther, Tomás Tello)
wunderbare reise 06-09 (2011)
for audience and video, in collaboration with Sneja_D (Video)
meeting (2010)
Partizipative performance on music and language
wunderbare reise 03 (2010)
for viola, accordion, percussion instruments and video
affe, streu, wunderbare reise 02 (2009)
Solo pieces for metal objects
we summer (2008)
Music for the dance performance We Summer, choreography: Veronika Riz, for percussion solo and CD (Bolzano, Museion)
große kreise 08 (2008)
Sound installation and public's action
von hier nach dort und wieder zurück (2008)
hier, von hier nach dort, dort 01-06, von dort nach hier, wieder zurück
for accordion and percussion
ferragosto II (2007)
Performance/installation for the Sammlung Essl Museum, Klosterneuburg/Vienna
la route flonflon (2006)
Sound installation for the Philharmonie Luxemburg
play (2005)
Solo performance with metal objects
songs (2002–06)
große kreise 01–06, kleine kreise 01–06, mikado 01-06, shuffle, hatscha 01–04,
ein liebesbrief, ordnungmusssein, strawinsky, rickeracke.
Solo pieces for metal objects
schöpfungsgeschichte, mop, transversal, longitudinal, embouchure (2003)
for flute and percussion instruments, in collaboration with Cordula Bösze
Punkt/Kontinuum, Attacken, Zustand 1–3 (2002)
for piano and percussion instruments,, in collaboration with Katharina Klement
Das Bad der Diana (2001)
Performance with live video and super8 screening, in collaboration with Jack Hauser
ferragosto (2000)
Installation for the Sammlung Essl Museum, Klosterneuburg (Vienna)
Kabelwerk (2000)
Solo performance
fLINK (1999)
Performance for percussion und live electronics, Künstlerhaus, Vienna, in collaboration with Karlheinz Essl
fLUNGER (1999)
Performance for percussion, live electronics and light, Charim Klocker Gallery, Vienna, in collaboration with Karlheinz Essl
Als wärs ein Stück von mir (1996)
Solo for drums
pflegt rhythmus sprechen zeitigt (1995)
for voice and percussion, text by Christine Huber
Titus Andronicus (1994)
Theater music on the play of Willam Shakespeare, Akademietheater, Vienna, in collaboration with Thomas Hertel and Michael Popp
Der beste Brei des Rattenfängers (1994)
for piano, percussion and spoken words, in collaboration with Raino Rapottnig
Der größte Teil des Schlangenträgers (1993)
Music to the dance piece by Rose Breuss and Bert Gstettner (Tanz*Hotel), in collaboration with Raino Rapottnig
Gitter (1994)
for voice and percussion instruments, commissioned by Kulturinitiativae Stubai (Austria)
Ameisen auf kleinen Gegenständen in der Strömung schaukelnd
Der Mann mit der Hand auf der Stirn
Ich habe springen gelernt
Unruhig geschlafen
Put your friendly face on baby
Kaputte Puppenköpfe (1992–93)
for piano and percussion, in cooperation with Hannes Löschel
Ich habe zählen gelernt (1992)
for drums, accompanimant to an imaginary solo
Bei Zeiten (1992)
Performance for percussion and piano, in collaboration with Hannes lschel
da söbstmeadagraunz (1992)
for speaker and percussion, 31 poems in Viennese dialect written by Gerhard Rühm in 1956/67 (Rainer Verlag, Berlin 1966).
Elisabeth Flunger hindert Johannes Marian daran, Schillers Glocke aufzusagen. Das Album (1991)
Photo album, limited edition 50 pieces, in collaboration with Johannes Marian. Photos by Johannes Stoll
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